8/7/2023 0 Comments Blue cockatoo painting![]() Fry writes in Cubism (1978): "Three female nudes are in various postures, and the blue bird is held by the uppermost figure in other parts of the composition are numerous birds, grapes in a dish on a table, the striped canopy of a Paris cafe, the dome of Sacre-Coeur in Montmartre, and a ship at sea." (Bold added). Jean Metzinger, 1911–12, Man with a Pipe (Portrait of an American Smoking), catalogue cover: Exhibition of Cubist and Futurist Pictures, Boggs & Buhl Department Store, Pittsburgh, July 1913Įdward F. It is also a short distance from Le Bateau-Lavoir, widely known as the birthplace of Cubism. This popular monument is just up the hill from where Metzinger lived and worked (Rue Lamarck) prior to his move to Meudon around 1912. In the rest of the scene, various items and divers elements are placed, including in the upper center (practically at the highest point of the painting) the Sacré-Cœur Basilica, located at the summit of the butte Montmartre, the highest point of the city. ![]() On the left half of Metzinger's L'Oiseau Bleu, holding in her right hand a yellow fan (éventail) is a sitting nude who in her left hand holds a mirror into which she gazes. A large steamship can be seen bellowing gaseous vapor from its funnel in the distant sea or ocean, and a smaller boat (or canot) is visible below. Two other birds, in addition to the blue bird and scarlet ibis can be seen in the composition, one of which resembles a green heron. In front of the pyramid appears a shape that resembles a sundial, perhaps meant as the element of time, or 'duration', as the clock placed in the upper right hand corner of his Nu à la cheminée (Nude) of 1910. A mysterious pyramidal shape is seen as if through a porthole to the right of the reclining figure's head, though it remains a matter of speculation whether there exists any relation to the ibis or pyramids of ancient Egypt. ![]() The Ibis is a bird to which the ancient Egyptians paid religious worship and attributed to it a 'virgin purity'. Costume designers for Parisian cabarets such as Le Lido, Folies Bergère, the Moulin Rouge and haute couture houses in Paris during the 1910s used the feathers of the scarlet Ibis in their shows and collections. The reclining figure wearing a necklace shown in the lower center of the canvas is placed next to a pedestal fruit bowl and another bird with the unmistakable coloration of the rare Scarlet ibis ( L'Ibis rouge), a rich symbol for both exoticism and fashion. The central standing 'foreground' figure is shown affectionately holding in both hands a blue bird (thus the title of the painting). It is a mélange of interior and exterior elements integrated into one of Metzinger's most intriguing and successful compositions." L'Oiseau bleu, writes Joann Moser, uses a wealth of anecdotal detail "which comprises a compendium of motifs found in earlier and later paintings by Metzinger: bathers, fan, mirror, ibis, necklace, a boat with water, foliage and an urban scene. The work represents three nude women in a scene that contains a wide variety of components. L'Oiseau bleu is an oil painting on canvas with dimensions 230 x 196 cm (90.5 by 77.2 in). Jean Metzinger, 1913, Etude pour L'Oiseau bleu ( Study for The Blue Bird), watercolor, graphite and ink on paper, 37 x 29.5 cm, Centre Pompidou, Musée National d'Art Moderne, Paris L'Oiseau bleu, acquired by the City of Paris in 1937, forms part of the permanent collection at the Musée d'Art Moderne de la Ville de Paris. Īpollinaire described L'Oiseau bleu as a 'very brilliant painting' and 'his most important work to date'. It was subsequently exhibited at the 1913 Erster Deutscher Herbstsalon in Berlin (titled Der blaue Vogel, cat. ![]() 2087), several months after the publication of the first (and only) Cubist manifesto, Du "Cubisme", written by Jean Metzinger and Albert Gleizes (1912). L'Oiseau bleu, one of Metzinger's most recognizable and frequently referenced works, was first exhibited in Paris at the Salon des Indépendants in the spring of 1913 (cat. L'Oiseau bleu (also known as The Blue Bird and Der Blaue Vogel) is a large oil painting created in 1912–1913 by the French artist and theorist Jean Metzinger (1883–1956) considered by Guillaume Apollinaire and André Salmon as a founder of Cubism, along with Georges Braque and Pablo Picasso. ![]()
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